A PHONEMIC TRANSCRIPTION KEY
FOREWORD
The function of this page has changed since it was first created in
the nineties. Originally, it was a transcription of my accent
into Kirshenbaum ASCII IPA, the 7-bit encoding I
was using as a substitute for raw phonetic symbols back in the days
when web browsers couldn't be trusted to handle Unicode characters
like ə and ʃ. Now that (as of
2013) I no longer use ASCII IPA on any of my other pages, I
have finally been able to retire it here too.
The part that's still applicable is that this page is intended to
complement the rest of my site in two ways: for British
non-linguists it's a rough guide to phonemic transcription, while
for non-British linguists it's an introduction to my accent.
If you are already familiar with both the International Phonetic
Alphabet and modern RP you're unlikely to find it very useful; and
on the other hand if you don't know what I mean either by
O as in bother
or by ɒ as in
ˈbɒðə
then there's no convenient
way I'm going to be able to get the leverage to explain
either – or at any rate, not without knowing whether
you're from Auckland, Kingston, or Chicago.
This page is fairly technical, but that can't be helped: attempts
to explain details like this purely in terms of hard TH
and
long A sounds
just spread confusion. You may imagine
that all I would need to do is add some audio examples; and indeed
I may some day get round to doing that, but it's not a high
priority, because the sad fact is that they wouldn't help
much. If you haven't been trained to listen, your ears
wouldn't take in the unfamiliar features of my pronunciations any
more than your eyes would be likely to notice a trivial typo you're
not actively looking for – instead your mothertongue
perceptual filters automatically reinterpret everything to fit the
phonological categories you're used to.
CONTENTS
TERMINOLOGY
Throughout this essay, example spellings and so forth are as
usual marked out as follows…
| Orthodox spellings: |
angle-bracketed |
like this |
| Phonemic transcriptions: |
IPA in slant-brackets |
lɑɪk ðɪs |
| Phonetic details: |
IPA in square-brackets |
lɑɪk ðɪs |
(If you're wondering where the brackets are, sorry: it'll be
because your browser doesn't support CSS…)
And before I get started I'll need to explain some of the labels
I'm sticking on things:
- Phonetic
-
Of or pertaining to the precise articulatory and acoustic
properties of speech sounds, irrespective of the way they're
used in particular languages; for instance, the K in
key is usually a palatalised and aspirated
kʲʰ, phonetically quite different from the
K in ask.
- Phonemic
-
(Here I go again trying to define
phoneme
in a
nutshell… compare the attempts on my
Espe-Ranto,
Spelling Reform and
Futurese pages)
-
Of or pertaining to phonemes, the sounds treated as basic units
in a given lingo. What the Ks in key, ask
have in common is that both are forms of one English phoneme,
k: the phonetic space between them is never used for
telling English words apart (so English-speakers learn to
disregard it). The difference between cod and
god, on the other hand, is that the first begins with
k and the second with a voiced
g – a subtle phonetic distinction that
English does recognise as phonemically significant.
- IPA
-
The alphabet of the International Phonetic Association, providing
a standard notation of symbols and diacritics for representing the
sounds of human languages, either on a phonemic level or in
phonetic close-up. Not to be confused with radiotelephony
codes such as the so-called
NATO Phonetic Alphabet
on the
one hand or with India Pale Ale (and indeed IsoPropyl Alcohol) on
the other.
- RP
-
Received Pronunciation
, an accent better known perhaps as
BBC English
. Like General American
it is
socially dominant as a standard educated
accent; but
unlike GA, RP is strongly associated with a particular region
and social class, that of the southern English (upper-)middle
class.
- JBR RP
-
As the son of a Church of England vicar, I myself am
definitively middle-class; I went to a primary school in rural
Norfolk, then a public (i.e. private) secondary school in Norwich
before coming to Edinburgh. As a result my accent is fairly
posh
, though by no means up to Hollywood villain
standards. It has a few traceably East Anglian traits, and
lacks several features becoming common in more southern areas;
see the pronunciations of insolvencies, Norwich, quarter
listed below.
- Standard English
-
… Has nothing to do with this. I'm not talking
about
correct
grammar, or vocabulary, and certainly not
spelling; I'm talking about accent, meaning how things
are pronounced – you can quote Bob Marley or PG
Wodehouse in any accent!
- Voiced/voiceless
-
Standard labels for consonants, classifying them in terms of
whether they are accompanied by vocal-cord buzzing. If you
don't recognise this idea, clutch your throat and go
SSS-ZZZ-SSS-ZZZ
!
- Bilabial/dental/velar/etc.
-
Standard labels for consonants, classifying them in terms of the
part of the mouth involved (teeth-ridge, soft palate, or
whatever). These you probably can just pick up from the
examples.
- Plosive/fricative/approximant
-
Standard labels for consonants, classifying them in terms of how
thoroughly airflow is blocked. During a plosive like
T
, no air can escape the mouth (until it's abruptly
released); it scrapes through turbulently in fricatives like
F
; and approximants like W
hardly impede the
airflow at all.
- Nasal/affricate/lateral
-
Three kinds of special exception to the above. Nasals are
like plosives, but involve air escaping through the nose
(
MMM
); affricates turn from plosive to fricative
(TCH
); and laterals involve airflow around the sides of a
central blockage (LLL
).
- Front/central/back
-
Standard labels for vowels, classifying them in terms of where
in the mouth they are articulated; that is, whether the front or
back of the tongue is held closer to the palate. Again,
you may never have noticed this; but say
AY-OH-AY-OH
and
pay attention to what your tongue's doing.
- Close/close-mid/open-mid/open
-
Standard labels for vowels, classifying them in terms of the gap
between tongue and palate at its narrowest point –
smallest in
close
vowels like OOO
and greatest in
open
vowels like AAH
.
- Rounded/unrounded
-
Standard labels for vowels produced with or without
lip-rounding. This distinction is obvious in vowels like
OOO-EEE
, but trickier in the middle – Americans
are likely to have trouble following my AW sounds
.
INVENTORY
JBR RP features the following supply of consonants and vowels,
here listed in an order which is more or less systematic
rather than quasi-alphabetic.
-
b as in EBB, BIB
-
characteristically a voiced bilabial plosive
-
d as in ED, DID
-
characteristically a voiced alveolar plosive
-
dʒ as in EDGE,
JUDGE
-
characteristically a voiced postalveolar affricate (counts as one
item)
-
g as in EGG, GAG
-
characteristically a voiced velar plosive
-
-
p as in UP, PIP
-
characteristically a voiceless bilabial plosive
-
t as in AT, TOT
-
characteristically a voiceless alveolar plosive
-
tʃ as in ETCH,
CHURCH
-
characteristically a voiceless postalveolar affricate (counts as
one item)
-
k as in OAK, KICK
-
characteristically a voiceless velar plosive
-
-
v as in OF, VERVE
-
characteristically a voiced labiodental fricative
-
ð as in EITHER, THE
-
characteristically a voiced dental fricative (distinct from
θ below)
-
z as in AS, ZOOS
-
characteristically a voiced alveolar fricative
-
ʒ as in SEIZURE, VISION
-
characteristically a voiced postalveolar fricative
-
-
f as in IF, FIFE
-
characteristically an unvoiced labiodental fricative
-
θ as in ETHER,
THIRTIETH
-
characteristically an unvoiced dental fricative (distinct from
ð above)
-
s as in US, SAUCE
-
characteristically an unvoiced alveolar fricative
-
ʃ as in ASH, SURE
-
characteristically an unvoiced postalveolar fricative
-
-
m as in AM, MUM
-
characteristically a voiced bilabial nasal
-
n as in AN, NUN
-
characteristically a voiced alveolar nasal
-
ŋ as in INK,
HANGING
-
characteristically a voiced velar nasal
-
l as in ILL, LULL
-
characteristically a voiced alveolar lateral
-
-
r as in FRY,
RAH-RAH
-
characteristically a voiced alveolar approximant (not the US
retroflex or the Scots rolled R; strictly speaking the phonetic
symbol is ɹ)
-
w as in QUIT, WAH-WAH
-
characteristically a voiced labiovelar approximant
-
j as in VIEW, YOYO
-
characteristically a voiced palatal approximant (not written
y)
-
h as in HUE, HA-HA
-
characteristically an unvoiced glottal approximant
-
-
ɪ as in IT, BID
-
characteristically a short close front unrounded vowel
-
ɛ as in EGG, BED
-
characteristically a short open-mid front unrounded vowel
-
ə (
schwa
) as in UP,
BUD
-
characteristically a short open central unrounded vowel
-
æ as in AT, BAD
-
characteristically a short open front unrounded vowel
-
ʊ as in HOOD, BULL
-
characteristically a short close back rounded vowel
-
ɒ as in ON, BOD
-
characteristically a short open back rounded vowel
-
-
ɪə as in HERE,
BEARD
-
characteristically a glide from ɪ towards
ə
-
ɛə as in HAIR,
BARED
-
characteristically a glide from ɛ towards
ə, or long hybrid vowel
-
ɜː as in HER, BIRD
-
characteristically a long open-mid central unrounded vowel
-
ɑː as in ARCH, BARD
-
characteristically a long open back unrounded vowel
-
ʊə as in MOOR,
CURED – uncommon, often replaced by
ɔː
-
characteristically a glide from ʊ towards
ə, or long hybrid vowel
-
ɔː as in HAWK,
BOARD
-
characteristically a long open-mid back rounded vowel
-
-
iː as in HEAT, BE
-
characteristically a long close front unrounded vowel
-
ɛɪ as in HATE, BAY
-
characteristically a glide from ɛ towards
ɪ
-
ɑɪ as in HEIGHT, BY
-
characteristically a glide from ɑ towards
ɪ
-
ɔɪ as in HOIST, BOY
-
characteristically a glide from ɔ towards
ɪ
-
-
æʊ as in HOUSE,
BOUGH
-
characteristically a glide from æ towards
ʊ
-
uː as in HOOT, BOO
-
characteristically a long close back rounded vowel
-
əʊ as in HOSE, BEAU
-
characteristically a glide from ə towards
ʊ
COMPLICATIONS
Characteristically
-
My use of this weasel-word signals that I'm ignoring some
phonetic subtleties. For example, while everyone more or
less agrees on the prototypical phonetic realisation of
t, there is some disagreement in specific contexts such
as glottal. Many US accents prescribe a
flapped D
there, and many UK accents use a glottal
stop
; JBR RP has a clearcut T
in that particular
context, but allows a glottalised t in a more limited
family of words.
- Phonetically Long
-
When I say something is stressed or long, that doesn't
necessarily mean what you think. Stressed vowels are loud
and rather high-pitched; long vowels are characterised by
prolonged duration; but the difference between, say, mad
and made isn't one of stress or length – the
two are simply different vowels (mæd,
mɛɪd).
- Phonemically Long
-
That said, the length-marker ː that forms part of
the symbol for (e.g.) the phoneme ɔː does
not mean that it always takes longer to say than
(e.g.) the phoneme ɛ; only that length is one of its
distinguishing features. All other things being
equal – as in the pair bought/bet – I
take more time over the former; but other things very rarely are
equal.
- Complex And Compound Sounds
-
English has several other kinds of genuinely
long
sounds,
including affricates like j (=dʒ) and
diphthongs like oy (=ɔɪ). A case
could be made for splitting each of these into subcomponents, but
at least for my own accent I find such analyses unnatural.
- Conspicuously Absent
-
The typical pronunciations of the letters X and
Q do not correspond to single phonemes (the sounds are
transcribed as the sequences ks,
kw). Likewise, the sound of U as in
unit is just
YOO
– j followed
by uː – and needs no separate sign of its
own.
- Stress-marking
-
The difference between the adjective ABstract and
the verb abSTRACT is shown in my transcriptions
by ˈ marks before stressed syllables:
ˈæbstrækt,
æbˈstrækt. Secondary stress (not
as emphatic as the word's main stress, but stronger than
neighbouring syllables) receives a preceding ˌ
mark – thus CHAracteRIStically is
ˌkærəktəˈrɪstɪkliː.
- Schwa
-
The symbol ə stands for three distinct sounds, each
of which occurs in abundance,
əˈbəndəns. In phonetic terms,
that's əˈbɐndn̩s; and for many
accents it makes sense to consider the three forms as separate
entities. However, they don't seem to be used contrastively
as phonemes in my own speech: the pronunciation of ə
is always predictable from the surrounding context.
Accordingly, I am treating them as one phoneme, and standardising
my phonemic notation here on the symbol for the neutral vowel
known as the
schwa
.
WORDS
Please remember that this is an attempt at a representative
selection of accurately reported spoken forms, not a prescriptive
guide to how English should be spoken. These may be what I
normally say, but I'm not denying the existence of alternatives
(even in BBC English); when people pronounce nuclear
as
noocular
, that's not the end of the
world.
| absorption = |
əbˈzɔːbʃən |
|
| absurd = |
əbˈsɜːd |
|
| accomplished = |
əˈkəmplɪʃt |
– UM, not OM |
| actually = |
ˈæktʃəliː |
– but not ˈækʃliː |
| advertisement = |
ədˈvɜːtɪsmənt |
– n.b. stress |
| albino = |
ælˈbiːnəʊ |
|
| all = |
ɔːl |
|
| almond = |
ˈɑːmənd |
– no l |
| alto = |
ˈæltəʊ |
|
| ant = |
ænt |
– cf. aunt |
| anxious = |
ˈæŋkʃəs |
|
| arctic = |
ˈɑːktɪk |
– artic is a lorry |
| aren't = |
ɑːnt |
– cf. aunt |
| Asia = |
ˈɛɪʒə |
|
| asphalt = |
ˈæʃfɛlt |
– unjustifiably |
| associated = |
əˈsəʊʃiːˌɛɪtɪd
|
– with a SH |
| association = |
əˌsəʊsiːˈɛɪʃən
|
– n.b. only one SH |
| asthma = |
ˈæsθmə |
– cf. isthmus |
| aunt = |
ɑːnt |
– cf. taunt |
| bachelor = |
ˈbætʃələ |
– three syllables |
| bald = |
bɔːld |
|
| balm = |
bɑːm |
– cf. bomb |
| band = |
bænd |
|
| basil = |
ˈbæzəl |
– like the name |
| bath = |
bɑːθ |
|
| beauty = |
ˈbjuːtiː |
|
| beta = |
ˈbiːtə |
– same as beater |
| bilabial = |
bɑɪˈlɛɪbiːəl |
|
| board = |
bɔːd |
– same as baud |
| bomb = |
bɒm |
– cf. balm |
| booth = |
buːð |
– like soothe |
| broom = |
brʊm |
|
| buckling = |
ˈbəklɪŋ |
– a young buck |
| buckling = |
ˈbəkəlɪŋ |
– starting to buckle |
| buddhist = |
ˈbʊdɪst |
– not ˈbuːdɪst |
| bumblebee = |
ˈbəmbəlˌbiː |
|
| buoy = |
bɔɪ |
– same as boy |
| burglar = |
ˈbɜːglə |
– no R |
| burial = |
ˈbɛriːəl |
|
| businessman = |
ˈbɪznɪsmən |
|
| butcher = |
ˈbʊtʃə |
|
| caches = |
ˈkæʃɪz |
|
| candidate = |
ˈkændɪˌdɛɪt |
– or ˈkændɪdət |
| caramel = |
ˈkærəˌmɛl |
|
| careless = |
ˈkɛələs |
|
| casualty = |
ˈkæʒʊltiː |
|
| caught = |
kɔːt |
– cf. cot |
| cautious = |
ˈkɔːʃəs |
– cf. nauseous |
| celebratory = |
ˌsɛliːˈbrɛɪtəriː
|
|
| centenary = |
sɛnˈtiːnəriː |
|
| centrifugal = |
ˌsɛntrɪˈfjuːgəl |
– not -ˈtrɪf- |
| chance = |
tʃɑːns |
|
| charade = |
ʃəˈrɑːd |
|
| cheese = |
tʃiːz |
|
| children = |
ˈtʃʊldrən |
– or ˈtʃɪldrən |
| choice = |
tʃɔɪs |
|
| Chomsky = |
ˈtʃɒmskiː |
– not as Belorussian
Хомскі |
| choral = |
ˈkɔːrəl |
– cf. coral |
| chorizo = |
tʃɒˈriːsəʊ |
– not -rɪts- |
| chrysanthemum = |
krɪˈsænθəməm |
|
| circumstances = |
ˈsɜːkəmˌstɑːnsɪz
|
|
| clanger = |
ˈklæŋə |
|
| clangour = |
ˈklæŋgə |
|
| clerk = |
klɑːk |
– AH not UR |
| cloth = |
klɒθ |
|
| colonel = |
ˈkɜːnəl |
|
| colour = |
ˈkələ |
|
| comfortable = |
ˈkəmftəbəl |
– no OR |
| comma = |
ˈkɒmə |
|
| congratulate = |
kəŋˈgrætʃʊˌlɛɪt
|
– never grædʒ |
| conjuror = |
ˈkəndʒərə |
|
| controversy = |
kənˈtrɒvəsiː |
– n.b. stress |
| cooed = |
kuːd |
– cf. cud |
| coral = |
ˈkɒrəl |
– cf. choral |
| cot = |
kɒt |
– cf. caught |
| could = |
kʊd |
– cf. cooed |
| coupon = |
ˈkuːpɒn |
|
| courgette = |
kʊəˈʒɛt |
– or kɔːˈʒɛt |
| court = |
kɔːt |
– same as caught |
| crass = |
kræs |
– cf. grass |
| crayon = |
ˈkrɛɪɒn |
– cf. mayonnaise |
| crescent = |
ˈkrɛzənt |
– rhymes with present |
| cud = |
kəd |
– cf. could |
| cumin = |
ˈkəmɪn |
– not ˈkjuːmən |
| cupboard = |
ˈkəbəd |
|
| cure = |
kjʊə |
– or kjɔː |
| curry = |
ˈkəriː |
|
| data = |
ˈdɛɪtə |
|
| dearly = |
ˈdɪəliː |
– cf. really |
| deity = |
ˈdɛɪətiː |
– like gaiety |
| delicious = |
dɪˈlɪʃəs |
|
| diamond = |
ˈdɑɪəmənd |
– three syllables |
| diphthong = |
ˈdɪfθɒŋ |
– not dip |
| do = |
duː |
– cf. due |
| docile = |
ˈdəʊsɑɪl |
|
| doesn't = |
ˈdəzənt |
|
| doll = |
dɒl |
– not like dole |
| dress = |
drɛs |
|
| due = |
djuː |
– cf. do |
| dully = |
ˈdəlliː |
– cf. sully |
| during = |
ˈdjʊərɪŋ |
– or dʒɔːrɪŋ |
| dynasty = |
ˈdɪnəstiː |
|
| ecosystem = |
ˈiːkəʊˌsɪstəm |
– eek! |
| Edinburgh = |
ˈɛdɪnbərə |
– or ˈɛdəmbrə |
| eighth = |
ɛɪtθ |
|
| either = |
ˈiːðə |
– or ˈɑɪðə |
| electric = |
ɪˈlɛktrɪk |
|
| English = |
ˈɪŋglɪʃ |
|
| entire = |
ɛnˈtɑɪə |
|
| ephemeral = |
ɪˈfiːmərəl |
|
| equinox = |
ˈɛkwɪˌnɒks |
|
| ether = |
ˈiːθə |
– cf. either |
| evolution = |
ˌiːvəˈluːʃən |
|
| example = |
ɛgˈzɑːmpəl
|
|
| extraordinary = |
ɛkˈstrɔːdɪnˌɛriː
|
|
| face = |
fɛɪs |
|
| falcon = |
ˈfɔːlkən |
|
| false = |
ˈfɔːls |
|
| February = |
ˈfɛbrəriː |
– or -ruːˌɛriː |
| figure = |
ˈfɪgə |
|
| financial = |
fɑɪˈnænʃəl |
|
| finger = |
ˈfɪŋgə |
– cf. ginger |
| fleece = |
fliːs |
|
| flourish = |
ˈflərɪʃ |
|
| force = |
fɔːs |
|
| forehead = |
ˈfɔːhɛd |
|
| from = |
frɒm |
– reduces to frəm |
| fully = |
ˈfʊliː |
– cf. dully |
| gala = |
ˈgɑːlə |
– cf. parlour |
| garage = |
ˈgærɪdʒ |
– or ˈgærɑːdʒ |
| gibberish = |
ˈdʒɪbərɪʃ |
– soft G |
| gigabyte = |
ˈgɪgəbɑɪt |
– hard G |
| ginger = |
ˈdʒɪndʒə |
– cf. singer |
| Glasgow = |
ˈglɑːzgəʊ |
|
| goat = |
gəʊt |
|
| goose = |
guːs |
|
| gradually = |
ˈgrædʒəliː |
|
| grass = |
grɑːs |
– cf. crass |
| grocery = |
ˈgrəʊsəriː |
|
| half-mirrored = |
ˌhɑːfˈmɪrəd |
|
| Hallowe'en = |
ˌhæləʊˈiːn |
– not hollow |
| halt = |
hɔːlt |
|
| hanging = |
ˈhæŋɪŋ |
– no g |
| happiness = |
ˈhæpɪnɛs |
– cf. merriness |
| happy = |
ˈhæpiː |
|
| herb = |
hɜːb |
– initial consonant |
| historic = |
hɪˈstɒrɪk |
– initial consonant |
| hovercraft = |
ˈhɒvəˌkrɑːft |
|
| huge = |
hjuːdʒ |
|
| ideology = |
ˌɑɪdiːˈɒlədʒiː
|
|
| insolvencies = |
ɪnˈsɒlvənˌsiːz |
|
| interadministrative = |
ˌɪntərədˈmɪnɪstrətɪv
|
|
| inventory = |
ˈɪnvəntriː |
– infantry with a v |
| ion = |
ˈɑɪɒn |
|
| IPA = |
ˌɑɪpiːˈɛɪ |
|
| iron = |
ˈɑɪən |
|
| isthmus = |
ˈɪsθməs |
– cf. asthma |
| jaguar = |
ˈdʒægjuːə |
– not as Spanish |
| jumped = |
ˈdʒəmpt |
|
| jury = |
ˈdʒʊəriː |
– or ˈdʒɔːriː |
| Kirshenbaum = |
ˈkɜːʃənˌbɔːm
|
– not as German |
| kit = |
kɪt |
|
| labiovelar = |
ˌlɛɪbiːəʊˈviːlə
|
– rhymes with tequila |
| laboratory = |
ləˈbɒrətriː |
|
| language = |
ˈlæŋgwɪdʒ |
|
| lather = |
ˈlɑːðə |
|
| laugh = |
lɑːf |
|
| lava = |
ˈlɑːvə |
– same as larva |
| lawyer = |
ˈlɔɪə |
– or (oddly) ˈlɔɪjə |
| leisure = |
ˈlɛʒə |
|
| length = |
lɛŋkθ |
– or lɛŋθ |
| letter = |
ˈlɛtə |
|
| lever = |
ˈliːvə |
|
| library = |
ˈlɑɪbriː |
– two syllables |
| lichen = |
ˈlɑɪkən |
– same as liken |
| lieutenant = |
lɛfˈtɛnənt |
– army only! |
| Linux = |
ˈlɪnəks |
|
| loch = |
lɒh |
– on loan from Scots |
| longitude = |
ˈlɒŋgɪˌtjuːd |
– yes, wrongly |
| lorry = |
ˈlɒriː |
|
| lot = |
lɒt |
|
| lure = |
ljɔː |
|
| luxury yacht = |
ˈləkʃəriːˌjɒt |
|
| machismo = |
məˈtʃɪzməʊ |
|
| mall = |
mɔːl |
|
| marry = |
ˈmæriː |
|
| Mary = |
ˈmɛəriː |
|
| mayonnaise = |
ˌmɛɪəˈnɛɪz |
– cf. crayon |
| merriness = |
ˈmɛriːnɛs |
– cf. happiness |
| merry = |
ˈmɛriː |
|
| mischievous = |
ˈmɪstʃəvəs |
– not mischevious |
| miscible = |
ˈmɪsɪbəl |
– cf. below |
| missable = |
ˈmɪsəbəl |
– cf. above |
| missile = |
ˈmɪsɑɪl |
|
| moustache = |
məˈstɑːʃ |
|
| mouth = |
mæʊð |
– verb |
| mouth = |
mæʊθ |
– noun |
| mum = |
məm |
|
| muslim = |
ˈmʊzlɪm |
– not mooselimb |
| mustn't = |
ˈməsənt |
|
| nauseous = |
ˈnɔːziːəs |
– cf. cautious |
| near = |
nɪə |
|
| necessary = |
ˈnɛsəˌsɛriː |
|
| nephew = |
ˈnɛfjuː |
– never ˈnɛvjuː |
| Newcastle = |
ˈnjuːkɑːsəl |
|
| newspaper = |
ˈnjuːspɛɪpə |
|
| niche = |
niːʃ |
– like leash |
| nodule = |
ˈnɒdjuːl |
|
| north = |
nɔːθ |
|
| Norwich = |
ˈnɒrɪdʒ |
– like porridge |
| nubile = |
ˈnjuːbɑɪl |
|
| nuclear = |
ˈnjuːkliːə |
|
| nurse = |
nɜːs |
|
| of = |
ɒv |
– reduces to əv, ə |
| often = |
ˈɒfən |
|
| ogle = |
ˈəʊgəl |
– like mogul |
| ominous = |
ˈɒmɪnəs |
|
| one = |
wən |
– same as won |
| onerous = |
ˈəʊnərəs |
|
| ongoing = |
ˈɒngəʊɪŋ |
– jocularly
ˈɒŋˌɔɪŋ |
| oral = |
ˈɔːrəl |
– same as aural |
| ordinary = |
ˈɔːdɪnəriː |
– or ˈɔːdnəriː |
| oregano = |
ˌɒrɪˈgɑːnəʊ
|
– rhymes with Arno |
| palm = |
pɑːm |
|
| paprika = |
pəˈpriːkə |
– rhymes with Eureka |
| parlour = |
ˈpɑːlə |
– cf. gala |
| pasta = |
ˈpæstə |
|
| patriot = |
ˈpɛɪtriːət |
|
| patronise = |
ˈpɛɪtrəˌnɑɪz |
|
| pen = |
pɛn |
|
| perpetual = |
ˌpɜːˈpɛtʃuːəl
|
|
| phoneme = |
ˈfəʊniːm |
– not like phone me |
| phonemic = |
fəˈnɛmɪk |
– like academic |
| pidgin = |
ˈpɪdʒɪn |
|
| pin = |
pɪn |
|
| plosive = |
ˈpləʊzɪv |
– less often ˈpləʊsɪv |
| Polynesia = |
ˌpɒliːˈniːʒə |
– or -ˈniːziːə |
| poor = |
pɔː |
– not usually pʊə |
| pore = |
pɔː |
– same as paw |
| postalveolar = |
ˌpəʊstælˈviːələ
|
|
| potato = |
pəˈtɛɪtəʊ |
|
| pour = |
pɔː |
– like the rest! |
| preferably = |
ˈprɛfrəbliː |
|
| premiere = |
ˈprɛmiːɛə |
|
| prestigious = |
prəˈstɪdʒəs |
|
| pretty = |
ˈprɪtiː |
|
| price = |
prɑɪs |
|
| primarily = |
prɑɪˈmɛrɪliː |
– n.b. stress |
| process = |
ˈprəʊsɛs |
|
| project = |
ˈprɒdʒɛkt |
– noun |
| pronunciation = |
prəˌnənsiːˈɛɪʃən
|
– not proNOUNciation |
| puncture = |
ˈpəŋktʃə |
|
| pursuit = |
pəˈsjuːt |
|
| put = |
pʊt |
– cf. putt |
| putt = |
pət |
– cf. put |
| quagmire = |
ˈkwɒgmɑɪə |
|
| quarter = |
ˈkɔːtə |
– no w |
| question = |
ˈkwɛstʃən |
|
| questionnaire = |
kwɛstʃəˈnɛə |
|
| queue = |
kjuː |
|
| raspberry = |
ˈrɑːzbriː |
|
| real = |
ˈriːəl |
– same as reel |
| really = |
ˈriːəliː |
– cf. steely |
| restaurant = |
ˈrɛstəˌrɒnt |
– or ˈrɛstrənt |
| rhythm = |
ˈrɪðəm |
|
| room = |
rʊm |
– not ruːm |
| route = |
ruːt |
– root not rout |
| sausage = |
ˈsɒsɪdʒ |
|
| says = |
sɛz |
|
| scallop = |
ˈskæləp |
– like gallop |
| scarce = |
skɛəs |
|
| schedule = |
ˈʃɛdjuːl |
|
| schwa = |
ʃwɑː |
|
| scone = |
skɒn |
– on, not own |
| scythed = |
sɑɪðd |
|
| sentient = |
ˈsɛnʃiːənt |
– or ˈsɛnʃənt |
| shared = |
ʃɛəd |
– very like shed |
| shone = |
ʃɒn |
– on, not own |
| shore = |
ʃɔː |
– same as Shaw |
| simultaneous = |
ˌsɪməlˈtɛɪniːəs
|
|
| singer = |
ˈsɪŋə |
– cf. finger |
| situation = |
ˌsɪtʃuːˈɛɪʃən
|
|
| sixths = |
sɪksθs |
|
| software = |
ˈsɒftwɛə |
|
| solder = |
ˈsəʊldə |
|
| soldier = |
ˈsəʊldʒə |
– cf. above |
| source = |
sɔːs |
– same as sauce |
| species = |
ˈspiːʃiːz |
|
| square = |
skwɛə |
|
| squirrel = |
ˈskwɪrəl |
– two syllables |
| start = |
stɑːt |
|
| status = |
ˈstɛɪtəs |
|
| steely = |
ˈstiːliː |
– cf. dearly |
| story = |
ˈstɔːriː |
|
| strut = |
strət |
|
| strychnine = |
ˈstrɪkniːn |
|
| succinct = |
səkˈsɪŋkt |
|
| suet = |
ˈsuːɪt |
|
| suggest = |
səˈdʒɛst |
– no g |
| suit = |
suːt |
|
| sully = |
ˈsəliː |
– cf. fully |
| taunt = |
tɔːnt |
– cf. aunt |
| taxes = |
ˈtæksɪz |
– cf. taxis |
| taxis = |
ˈtæksiːz |
– cf. taxes |
| than = |
ðæn |
– or unstressed ðən |
| theatre = |
ˈθiːətə |
|
| then = |
ðɛn |
– or unstressed ðən |
| thither = |
ˈðɪðə |
– twice ð |
| thorough = |
ˈθərə |
|
| thought = |
θɔːt |
|
| tomato = |
təˈmɑːtəʊ |
|
| tongue = |
təŋ |
|
| tortoise = |
ˈtɔːtəs |
– like porpoise |
| tourniquet = |
ˈtɔːnɪˌkɛɪ |
– no final T |
| toward = |
təˈwɔːd |
|
| trap = |
træp |
|
| truer = |
ˈtruːə |
|
| tune = |
tjuːn |
|
| turmeric = |
ˈtɜːmərɪk |
– not ˈtjuːmərɪk |
| vacation = |
vɛɪˈkɛɪʃən |
|
| valid = |
ˈvælɪd |
|
| valleyed = |
ˈvæliːd |
|
| vase = |
vɑːz |
|
| vehicle = |
ˈviːɪkəl |
– no h |
| version = |
ˈvɜːʃən |
|
| virgin = |
ˈvɜːdʒɪn |
|
| vitamin = |
ˈvɪtəmɪn |
|
| voltage = |
ˈvəʊltɪdʒ |
|
| voluntarily = |
ˌvɒlənˈtɛrɪliː
|
|
| walk = |
wɔːk |
|
| warrior = |
ˈwɒriːə |
– cf. worrier |
| wash = |
wɒʃ |
– like posh |
| Wednesday = |
ˈwɛnzdɛɪ |
|
| were = |
wɜː |
– reduces to wə |
| we're = |
wɪə |
– cf. were,
where |
| where = |
wɛə |
– likewise there |
| whine = |
wɑɪn |
– same as wine |
| width = |
wɪtθ |
|
| with = |
wɪð |
|
| worrier = |
ˈwəriːə |
– cf. warrior |
| wrongly = |
ˈrɒŋliː |
|
| your = |
jɔː |
– same as yaw |
| you're = |
jɔː |
– or jʊə |
| youths = |
juːðz |
|
| zebra = |
ˈziːbrə |
– less often ˈzɛbrə |
| zoology = |
zuːˈɒlədʒiː |
|
SENTENCES
Some full-length case-studies – they may not be phrases
that come up frequently in conversation, but all of them have been
used before, and The North Wind and the Sun
is often seen
as a sample text in comparative studies. In each case, I am
speaking with normal levels of emphasis at ordinary
conversational speeds.
With tenure, Suzie'd have all the more leisure for yachting,
but her publications are no good.
wɪð ˈtɛnjə
ˈsuːˌziːd hæv
ɔːl ð mɔː
ˈlɛʒə fə ˈjɒtɪŋ
bət hɜː
ˌpəblɪˈkɛɪʃənz ə
nəʊ gʊd
For certain US accents and phonological analyses, that's a
quick brown fox
sentence, providing a full inventory of
phonemes; for me, even if we ignore the somewhat marginal
ʊə, it would require the addition of air
thigh rear chow joy. Eventually I found myself a
perfect JBR-RP pangram, with exactly one use of each phoneme in my
inventory:
Are those shy Eurasian footwear, cowboy chaps, or jolly
earthmoving headgear?
ɑː ð əʊ z
ʃ ɑɪ
j ʊə ˈr ɛɪ ʒ ə n
ˈf ʊ t w ɛə
ˈk æʊ b ɔɪ
tʃ æ p s ɔː
ˈdʒ ɒ l iː
ˈɜː θ ˌm uː v ɪ ŋ
ˈh ɛ d g ɪə
Yes, I know there are far too many Rs in that for it to
work for all you rhotic types! Honestly, for me there's
only one – I've increased the spaces between segments to
make it easier if you want to double-check. Now for some
less elaborately contrived example sentences:
Bother, father caught hot coffee in the carpark
ˈbɒðə ˈfɑːðə
kɔːt hɒt ˈkɒfiː
ɪn ðə
ˈkɑːˌpɑːk
I teach Ferdinand the calm cat to fetch cold cups of
coffee. Who knows more about tasting things? He's
used the book.
ɑɪ tiːtʃ
ˈfɜːdɪˌnænd ðə
kɑːm kæt tə fɛtʃ kəʊld
kəps əv ˈkɒfiː
huː nəʊz
mɔːr əbæʊt
ˈtɛɪstɪŋ θɪŋz
hiːz juːzd ðə bʊk
The North Wind and the Sun were disputing which was the
stronger, when a traveller came along wrapped in a warm
cloak. They agreed that the one who first succeeded in
making the traveller take his cloak off should be considered
stronger than the other.
Then the North Wind blew as hard as he could, but the more he
blew the more closely did the traveller fold his cloak around
him, and at last the North Wind gave up the attempt; then the Sun
shone out warmly, and immediately the traveller took off
his cloak.
And so the North Wind was obliged to confess that the Sun was the
stronger of the two.
ðə nɔːθ wɪnd ən ðə
sən wə dɪsˈpjuːtɪŋ
wɪtʃ wəz ðə ˈstrɒŋgə
wɛn ə ˈtrævlə kɛɪm
əˈlɒŋ ræpt ɪn ə
wɔːm kləʊk
ðɛɪ əˈgriːd ðət
ðə wən huː
fɜːs səkˈsiːdɪd ɪn
ˈmɛɪkɪŋ ðə
ˈtrævlə tɛɪk ɪz kləʊk
ɒf ʃʊb biː kənˈsɪdəd
ˈstrɒŋgə
ðən ðiː ˈəðə
ðɛn ðə nɔːθ wɪnd bluː
əz hɑːd z iː kʊd bət
ðə mɔːr iː bluː ðə
mɔː ˈkləʊsliː dɪd ðə
ˈtrævlə fəʊld hɪz kləʊk
əˈræʊnd hɪm ən ət
lɑːs ðə nɔːθ wɪnd
gɛɪv əp ðj əˈtɛmp
ðɛn ðə sən ʃɒn æʊt
ˈwɔːmliː ən
ɪˈmiːdʒətliː ðə
ˈtrævlə tʊk
ɒf ɪz kləʊk
ən səʊ ðə nɔːθ wɪnd
wəz əˈblɑɪdʒ tə
kənˈfɛs ðət ðə sən wəz
ðə ˈstrɒŋgr əv
ðə tuː